

Vanessa knew that dance was in her blood, but she had no idea the world of elite ballet was center stage for the darkest of secrets-until her sister mysteriously disappeared from the world-renowned New York Ballet Academy.
Three years later, Vanessa follows in Margaret's footsteps, lands the role most girls at NYBA would kill for . . . and gets trapped in a sinister spiral of secrets. Back-stabbing bunheads, a fiercely unrelenting choreographer, and the sexy male lead of the troupe-they all want something from Vanessa. And though she revels in the attention, what Vanessa truly craves are answers. Instead, she feels as though she is losing her footing at every turn. Is she doomed to relive her sister's strange fate?
Riveting and sexy, Dance of Shadows twists the cutthroat world of ballet with a psychological thriller, in a dance you won't be able to resist.

In Sally Gardner’s stunning novel, set in a ruthless regime, an unlikely teenager risks all to expose the truth about a heralded moon landing.
What if the football hadn’t gone over the wall. On the other side of the wall there is a dark secret. And the devil. And the Moon Man. And the Motherland doesn’t want anyone to know. But Standish Treadwell — who has different-colored eyes, who can’t read, can’t write, Standish Treadwell isn’t bright — sees things differently than the rest of the “train-track thinkers.” So when Standish and his only friend and neighbor, Hector, make their way to the other side of the wall, they see what the Motherland has been hiding. And it’s big...One hundred very short chapters, told in an utterly original first-person voice, propel readers through a narrative that is by turns gripping and darkly humorous, bleak and chilling, tender and transporting.

When sexy, free-spirited werecat Yoshi tracks his sister, Ruby, to Austin, he discovers that she is not only MIA, but also the key suspect in a murder investigation. Meanwhile, werepossum Clyde and human Aimee have set out to do a little detective work of their own, sworn to avenge the brutal killing of werearmadillo pal Travis. When all three seekers are snared in an underground kidnapping ring, they end up on a remote island inhabited by an unusual (even by shifter standards) species and its cult of worshippers. Their hosts harbor a grim secret: staging high-profile safaris for wealthy patrons with evil pedigrees, which means that at least one newcomer to the island is about to be hunted. As both wereprey and werepredator fight to stay alive, it’s up to mild-mannered Clyde — a perennial sidekick — to summon the hero within. Can he surprise even himself?

Imagine an alternate universe where tinkerers and dreamers craft and re-craft a world of automatons, clockworks, calculating machines, and other marvels that never were. Visionaries Kelly Link and Gavin J. Grant have taken a genre already rich, strange, and inventive and challenged fourteen masters of speculative fiction, including two graphic storytellers, to embrace its established themes and refashion them in surprising ways and settings. The result is an anthology that defies its genre even as it defines it.


Bee is an orphan who lives with a carnival and sleeps in the back of a truck. Every day she endures taunts for the birthmark on her face, though she prefers to think of it as a precious diamond.
Then one day a scruffy dog shows up, as unwanted as she, and Bee realizes she must find a home for them both. She discovers a cozy house with gingerbread trim that reminds her of frosting, where two mysterious women, Mrs. Swift and Mrs. Potter, take her in. Whoever these women are, they matter. They matter to Bee. And they are helping Bee realize that she, too, matters to the world—if only she will let herself be a part of it.




"I started and finished this book in about 2 days- something I only do when a book grabs me and refuses to let me go." ~Amazon reviewer
"Notes to Self is an emotional journey that any woman, teenager or otherwise, can relate to. It made me think about my own formative years and that connected me to the narrator on a deep level. I recommend Notes to Self to readers who appreciate honest contemporary fiction." ~Amazon reviewer
"I recommend NOTES TO SELF very highly. The story is both inspirational and real, which is a difficult combination to pull off. This is a very powerful novel." ~Top 500 Reviewer
Two climbed up.
Two fell down.
One woke up.
Robin Saunders is a high school sophomore with an awesome best friend, a hard-working single mom, and a complicated relationship with a sweet guy named Reno. She's coasting along, trying to get through yet another tedious year of high school, when Em suggests something daring. They live in Florida-- tourist central--and Emily wants to sneak into a theme park after midnight and see what they're made of.
When things get out of control, Robin wakes up in a hospital bed and Emily doesn't wake up at all. Just getting dressed becomes an ordeal as Robin tries to heal and piece together the details of that terrible night. Racing to remember everything in the hopes of saving Emily, Robin writes a series of notes to herself to discover the truth.
Gr. 8-12. Adult language.

A New York Times Notable Book of the Year
A Publishers Weekly Best Book of the Year
A Slate Favorite Book of the Year
A small-town boy hops a bus to New York City to crash an audition for E.T.: The Musical in this winning middle grade novel that The New York Times called “inspired and inspiring.”
Nate Foster has big dreams. His whole life, he’s wanted to star in a Broadway show. (Heck, he’d settle for seeing a Broadway show.) But how is Nate supposed to make his dreams come true when he’s stuck in Jankburg, Pennsylvania, where no one (except his best pal Libby) appreciates a good show tune? With Libby’s help, Nate plans a daring overnight escape to New York. There’s an open casting call for E.T.: The Musical, and Nate knows this could be the difference between small-town blues and big-time stardom.
Tim Federle’s “hilarious and heartwarming debut novel” (Publishers Weekly) is full of broken curfews, second chances, and the adventure of growing up—because sometimes you have to get four hundred miles from your backyard to finally feel at home.

In this innovative wordless picture book with interactive flaps, Flora and her graceful flamingo friend explore the trials and joys of friendship through an elaborate synchronized dance. With a twist, a turn, and even a flop, these unlikely friends learn at last how to dance together in perfect harmony. Full of humor and heart, this stunning performance (and splashy ending!) will have readers clapping for more!
For more feathery fun, pick up Flora and the Penguin, Flora and the Peacocks, Flora and Friends Matching Game or, coming soon, Flora and the Chicks.

Over a millennium ago, Mornhavon the Black, heir to the Arcosian Empire, crossed the great sea hoping to conquer Sacoridia. Mornhavon and his armies were defeated—but not before their general had resorted to desperate, dark magic that rendered his twisted spirit immortal. Finally, Mornhavon was captured and imprisoned in Blackveil Forest, and the forest’s perimeter was sealed by the magical D’Yer Wall.
In the many centuries since, knowledge of magic has disappeared from Sacoridia due to the fear and prejudice of a people traumatized by the memory of Mornhavon’s terrifying sorceries. Even the protective magic that created and maintained the D’Yer Wall has been lost, and the once-impermaeable barrier has been breached, allowing Blackveil’s malignant influence to seep into the lands beyond once again.
Karigan G’ladheon is a Green Rider—a seasoned member of the elite messenger corps of King Zachary of Sacoridia. But Karigan is no ordinary Rider, for she can traverse the barriers of time and space. Because of this extraordinary ability, she was able to transport the spirit of Mornhavon into the future, buying precious time for her country. During the window of relative safety, King Zachary decides to send Karigan and a small contingent of scouts, accompanied by a small group of Eletians—a magical race who once lived in the lands now tainted by Mornhavon’s magic—into Blackveil Forest.
Though Mornhavon is gone, the forest is still a treacherous and unnatural place filled with monstrous creatures and deadly traps. Plus, no one knows how far in the future Mornhavon has been sent—Ten years? One? Maybe even less.
And unbeknownst to the band of Eletians and Sacoridians, another small group has entered the forest—Arcosian descendants who have kept Mornhavon’s dark magic alive in secret for centuries, and who now plan to avenge their long-ago defeat by bringing Sacoridia to its knees.

Glenndon--son of witchwoman Brevelan and Jaylor, Senior Magician and Chancellor of the University of Magicians--has never spoken aloud. He has no need because his telepathic talent is strong and everyone associated with the University can "hear" him. He can throw master-level spells, but because he will not speak, Jaylor has refused to promote him from apprentice to journeyman magician. Still, everyone knows it is only a matter of time until Glenndon will take his rightful place at the University.
Then an urgent missive arrives from King Darville. The Council of Provinces is near rebellion over the king's lack of a male heir. Rather than see his fourteen-year-old daughter, Rosselinda, married off just to procure an heir, he orders his illegitimate son Glenndon to Coronnan City to become his successor. And suddenly Glenndon's world is in chaos. The man he's always known as his father is not. Instead he is the son of the king. But in this city where court politics can prove deadly and where magic is forbidden, the young man must hide his talents even as he struggles to find his voice and his destiny.
And one slip could see Glenndon, Darville, Rosselinda, and even Jaylor doomed, for the lords and the people fear magic more than potential invasion, legendary monsters, and civil war.

Necromancer is such an ugly word, but it's a title Eric Carter is stuck with.
He sees ghosts, talks to the dead. He's turned it into a lucrative career putting troublesome spirits to rest, sometimes taking on even more dangerous things. For a fee, of course.
When he left LA fifteen years ago, he thought he'd never go back. Too many bad memories. Too many people trying to kill him.
But now his sister's been brutally murdered and Carter wants to find out why.
Was it the gangster looking to settle a score? The ghost of a mage he killed the night he left town? Maybe it's the patron saint of violent death herself, Santa Muerte, who's taken an unusually keen interest in him.
Carter's going to find out who did it, and he's going to make them pay.
As long as they don't kill him first.