Synopsis: In 1828 James, a slave, arrives in Texas, brought by his owner, Samuel Bingham. Texas is then a part of the Mexican state of Coahuila y Tejas. James comes to Texas because he has no choice. But once there, he finds a postrevolutionary country where slavery is on the way out and his freedom is a real possibility. His owner, though, is determined to take advantage of the low cost of land in Texas to build up a farm into a cotton plantation with the use of slave labor. Over the next nine years James will experience and participate in a series of wrenching events that marked the origins of the Lone Star State. Set in the years surrounding the 1836 Texas War of Independence, ESCAPE FROM TEXAS is a solidly researched examination of the clashing aspirations of slaves, slave owners, Indians, and Mexicans during a turning point of the westward expansion of the United States. While there are a number of novels set in this period of Texas history, ESCAPE FROM TEXAS is the only novel that has a slave as a key protagonist and incorporates prominently that point of view of the turbulent events. Its provocative underlying thesis is that the extension of slavery was the true underlying cause of the Texas War of Independence, not yearnings for freedom by the Texas frontiersmen, as American folklore has traditionally had it. ESCAPE FROM TEXAS is to the understanding of the Texas War of Independence as Howard Fast's Freedom Road was to the understanding of the post-Civil War period of Reconstruction.

Synopsis: A new character joins the ranks of pwerful, kick-ass heroines such as those written by Tamora Pierce, Kristin Cashore, Esther Freisner, and Robin McKinley—Malora Ironbound. A great read also for anyone who loves horses and the Greek myths.

Malora knows what she was born to be: a horse wrangler and a hunter, just like her father. But when her people are massacred by batlike monsters called Leatherwings, Malora will need her horse skills just to survive. The last living human, Malora roams the wilderness at the head of a band of magnificent horses, relying only on her own wits, strength, and courage. When she is captured by a group of centaurs and taken to their city, Malora must decide whether the comforts of her new home and family are worth the parts of herself she must sacrifice to keep them.

Kate Klimo has masterfully created a new world, which at first seems to be an ancient one or perhaps another world altogether, but is in fact set on earth sometime far in the future.

Synopsis: Ruthie and Jack thought that their adventures in the Thorne Rooms were over . . . until miniatures from the rooms start to disappear. Is it the work of the art thief who's on the loose in Chicago? Or has someone else discovered the secret of the Thorne Rooms' magic? Ruthie and Jack's quest to stop the thief takes them from modern day Chicago to 1937 Paris to antebellum South Carolina. But as more items disappear, including the key that allows them to shrink and access the past worlds, what was once just an adventure becomes a life and death race against the clock. Can Ruthie and Jack catch the thief and help the friends they meet on the way before the magic—and the rooms—are destroyed forever? Fans of magic, mystery, and adventure will love this rollicking sequel to Marianne Malone's The Sixty-Eight Rooms.

Synopsis: Orchid Huang and her brother Monkey couldn't be more different. She loves reading, studying, and learning about the world. He likes kicking back with his feet on a chair and his headphones turned up. She dreams of great discoveries while they travel the world with their archeologist dad. He just wants to find ways to avoid hard work.

On a trip near the ancient silk route, they make a discovery that changes their lives--and just might change history. A mystic force takes them three thousand years into the past where they get stuck in the middle of a war between two powerful dynasties. Worse yet, it's up to them to stop the war.

Orchid wants to help. Monkey just wants to get home. An evil sorcerer wants them dead. With the help of an old hermit, a young girl, and some friendly gods, Orchid and Monkey discover their own strengths and powers. Will it be enough to fight off the sorcerer, magical beasts, and an entire army of battle-hardened soldiers?

Synopsis: A dark and provocative novel from the author of The Secret Year

Ryan spends most of his time alone at the local waterfall because it's the only thing that makes him feel alive. He's sixteen, post-suicidal, and trying to figure out what to do with himself after a stint in a mental hospital. Then Nicki barges into his world, brimming with life and energy, and asking questions about Ryan's depression that no one else has ever been brave enough--or cared enough--to ask. Ryan isn't sure why he trusts Nicki with his darkest secrets, but that trust turns out to be the catalyst that he desperately needs to start living again. Jennifer R. Hubbard has created a riveting story about a difficult but important subject.

Synopsis: Includes 3 brand new essays on Gale, the Games, and Mockingjay!

**Already read the first edition of The Girl Who Was on Fire? Look for The Girl Who Was on Fire - Booster Pack to get just the three new essays and the extra movie content.**

Katniss Everdeen’s adventures may have come to an end, but her story continues to blaze in the hearts of millions worldwide.

In The Girl Who Was on Fire - Movie Edition, sixteen YA authors take you back to the world of the Hunger Games with moving, dark, and funny pieces on Katniss, the Games, Gale and Peeta, reality TV, survival, and more. From the trilogy's darker themes of violence and social control to fashion and weaponry, the collection's exploration of the Hunger Games reveals exactly how rich, and how perilous, Panem, and the series, really is.

• How does the way the Games affect the brain explain Haymitch’s drinking, Annie’s distraction, and Wiress’ speech problems?
• What does the rebellion have in common with the War on Terror?
• Why isn’t the answer to “Peeta or Gale?” as interesting as the question itself?
• What should Panem have learned from the fates of other hedonistic societies throughout history—and what can we?

CONTRIBUTORS: Jennifer Lynn Barnes, Mary Borsellino, Sarah Rees Brennan, Terri Clark, Bree Despain, Adrienne Kress, Sarah Darer Littman, Cara Lockwood, Elizabeth M. Rees, Carrie Ryan, Ned Vizzini, Lili Wilkinson, Blythe Woolston, Diana Peterfreund (NEW), Brent Hartinger (NEW), Jackson Pearce (NEW)