Synopsis: After one summer at the Little Tykes Theatre, Mia Fullerton is meek no more, but that doesn't make her life any easier―not in her sophomore year at St. Hilary’s, when her best friend Lisa forces her into a dangerously big part in The Music Man. Not when her ex-boyfriend, Tim, is teaching his little brother Chris to treat women like objects.And not when she learns to drive―with serious repercussions.Who is Mia? Is she an independent girl like Zoë, her acerbic goth friend from Little Tykes? Or is she the girl who misses Tim, even after the way he betrayed her? Can Mia forgive Tim? Should she instead choose Eric, Zoë’s cousin, a nicer and more respectful choice in every way? Or would either choice defeat her goals of independence?Between dog costumes and stage costumes, big embarrassments and bigger chickens, and everything else that could possibly go wrong, Mia the Magnificent is a hilarious, clever, and endlessly fun novel, and the best installment yet of the Mia Fullerton series.

Synopsis: Opal is seven in 1963 when her mother is killed in a freak accident in Texas. Her father leaves her to be raised by her grandmother in the backwoods, mountain community of Pine Creek in northern California. Barefoot is a story of family, secrets, hard times, and forgiveness.

Synopsis: * Where did Sinbad Sail?
* Who Fired the Phoenix?
* The Boy Who Cried Werewolf
* The Great Rough Beast
* Postscript on Prester John
* The Secret of Hyperborea
* What Gave All Those Mammoths Cold Feet?
 
And many more--fictional? authoritative? fantastic? deadpan?--investigations into the real, the true…and the things that should be true
 
PREFACE BY PETER S. BEAGLE
ILLUSTRATED BY GEORGE BARR
 
"Although the wombat is real and the dragon is not, nobody knows what a wombat looks like and everyone knows what a dragon looks like."
 
Not a novel, not a book of short stories, Adventures in Unhistory is a book of the fantastic--a compendium of magisterial examinations of Mermaids, Mandrakes, and Mammoths; Dragons, Werewolves, and Unicorns; the Phoenix and the Roc; about places such as Sicily, Siberia, and the Moon; about heroic, sinister, and legendary persons such as Sindbad, and Aleister Crowley, and Prester John; and--revealed at last--the Secret of Hyperborea.
 
The facts are here, the foundations behind rumors, legends, and the imaginations of generations of tale-spinners. But far from being dry recitals, these meditations, or lectures, or deadpan prose performances are as lively, as crazily inventive, as witty as the best fiction of the author, a writer praised by Gardner Dozois as "one of the great short story writers of our times."
 
Who, on the subject of Dragons, could write coldly, dispassionately, guided only by logic?  Certainly not Avram Davidson. Certain facts, these facts, deserve more than recitation; they deserve flourish, verve, gusto, style--the late, great Avram Davidson's unique voice.  That prose which, in the words of Peter S. Beagle's Preface to this volume, "cries out to be read aloud."

Synopsis: Wright's new fantasy, which began with Orphans of Chaos, and continues in Fugitives of Chaos, is a tale about five orphans raised in a strict British boarding school who begin to discover that they may not be human beings. The students at the school do not age, while the world around them does. The orphans have been kidnapped from their true parents, robbed of their powers, and raised in ignorance by super-beings no more human than they are: pagan gods or fairy-queens, Cyclopes, sea-monsters, witches, or things even stranger.
The five have made sinister discoveries about themselves. Amelia is apparently a fourth-dimensional being; Victor is a synthetic man who can control the molecular arrangement of matter around him; Vanity can find secret passageways through solid walls where none had previously been; Colin is a psychic; Quentin is a warlock. Each power comes from a different paradigm or view of the inexplicable universe: and they should not be able to co-exist under the same laws of nature. Why is it that they can?
The children must experiment with and learn to control their strange abilities in order to escape their captors. Something very important must be at stake in their imprisonment.

Synopsis: Don't Feed the Bully is a fictional detective story aimed at students 10-14, although, anyone who can read will love this funny and meaningful story. Hannibal Greatneck III, detective, sixth grade student, or Handy to his friends, walks into William B. Travis elementary and finds a cage in the middle of the classroom. The school has dealt with its bully problem by handing over all the power to another bully. Handy must find the clues, outwit the villains, and get control of William B. Travis back to the students and faculty. The story is a funny one with hilarious and serious undertones, but with great purpose. Review "Brad presents a story filled with humor and compassion to help lay out an approach to bullying that goes beyond "just let them work it out together," as is often proposed. In the Appendix, he also offers a practical step-by-step plan to help students use their intelligence to deal with bullies, similar to the way the book's main character dealt with his tormentors." --Gary Cassel, flamingnet.com "If you're tired of the bully who's making school unbearable for your child, you might want to heed the words of author/comedian Brad Tassell:Don't Feed the Bully." --Rebecca Courdret, Evansville Courier-Journal. "Don't Feed The Bully is a quick read that kids will be able to relate to. Important lessons are taught, but the book still manages to be funny and entertaining! Even reluctant readers will enjoy this book, with its fun characters and the mystery that is the center of the story. Most of the pictures are a great addition to the story. Just because there are pictures doesn't make this a book for little kids, though; everyone will enjoy this story! --J. Pear, student reviewer Reviewer Age: 15 Asheville, NC USA Flamingnet.com About the Author

Synopsis: Reed Brennan's future is looking as bright as the two-karat diamonds in her new housemates' ears. Being accepted to the most prestigious private boarding school in the country wasn't enough for Reed. She had to break every rule to do it, but she has accomplished the impossible:

Reed is a Billings Girl now.

And with her new status come respect, envy, and, most important, opportunity. Not to mention the parties. Unfortunately, at the next illicit party in the Easton campus woods, her roommate snaps some pictures of Reed in more than one compromising position. She uses the photos to blackmail Reed: Dig up dirt on the most powerful and popular Billings Girls or she will have Reed expelled.

And speaking of parties, the Legacy is coming up. It's the invitation-only Halloween party in NYC and it's rumored that Thomas -- Reed's MIA boyfriend -- will be making an appearance there. Too bad Reed isn't even close to invited.

Life as a Billings Girl is every bit as glamorous as Reed imagined. What she didn't bargain for is the tangled web of private lies these girls weave.

Synopsis: In the crumbling remains of a tunnel that was part of the Underground Railroad, a mysterious artifact reveals one of the darkest secrets of Africa's ancient past. Intrigued by the strange, encrypted stone, archaeologist Annja Creed opens a door to a world—and a legend—bound by a fierce and terrible force. She is not alone in her pursuit of the impossible.



A bloodthirsty African warlord, and an international corporate magnate exploiting a land, a culture and a people, are equally anxious to stake their claim on the relic's unknown power. Annja's odyssey deep into the primeval jungles of Senegal becomes a desperate race to stop those eager to unleash the virulence of the Spider God….